Download PDF Midnight Movies (Da Capo Paperback), by J. Hoberman, Jonathan Rosenbaum
From the description over, it is clear that you require to review this book Midnight Movies (Da Capo Paperback), By J. Hoberman, Jonathan Rosenbaum We supply the on the internet publication qualified Midnight Movies (Da Capo Paperback), By J. Hoberman, Jonathan Rosenbaum here by clicking the web link download. From discussed book by online, you can provide more advantages for many individuals. Besides, the readers will be likewise quickly to get the preferred book Midnight Movies (Da Capo Paperback), By J. Hoberman, Jonathan Rosenbaum to check out. Locate one of the most favourite and also required book Midnight Movies (Da Capo Paperback), By J. Hoberman, Jonathan Rosenbaum to review now and also below.
Midnight Movies (Da Capo Paperback), by J. Hoberman, Jonathan Rosenbaum
Download PDF Midnight Movies (Da Capo Paperback), by J. Hoberman, Jonathan Rosenbaum
Utilize the innovative technology that human develops today to locate the book Midnight Movies (Da Capo Paperback), By J. Hoberman, Jonathan Rosenbaum quickly. Yet initially, we will ask you, just how much do you like to check out a book Midnight Movies (Da Capo Paperback), By J. Hoberman, Jonathan Rosenbaum Does it constantly till surface? For what does that book read? Well, if you truly enjoy reading, attempt to check out the Midnight Movies (Da Capo Paperback), By J. Hoberman, Jonathan Rosenbaum as one of your reading compilation. If you only reviewed guide based upon requirement at the time as well as incomplete, you should aim to like reading Midnight Movies (Da Capo Paperback), By J. Hoberman, Jonathan Rosenbaum first.
As one of the home window to open up the new world, this Midnight Movies (Da Capo Paperback), By J. Hoberman, Jonathan Rosenbaum supplies its impressive writing from the writer. Released in one of the popular publishers, this publication Midnight Movies (Da Capo Paperback), By J. Hoberman, Jonathan Rosenbaum becomes one of the most desired books recently. Really, the book will not matter if that Midnight Movies (Da Capo Paperback), By J. Hoberman, Jonathan Rosenbaum is a best seller or otherwise. Every book will still provide ideal resources to get the user all finest.
Nonetheless, some individuals will certainly seek for the very best vendor book to read as the very first recommendation. This is why; this Midnight Movies (Da Capo Paperback), By J. Hoberman, Jonathan Rosenbaum exists to fulfil your need. Some people like reading this book Midnight Movies (Da Capo Paperback), By J. Hoberman, Jonathan Rosenbaum because of this popular publication, but some love this as a result of favourite writer. Or, numerous additionally like reading this publication Midnight Movies (Da Capo Paperback), By J. Hoberman, Jonathan Rosenbaum because they truly should read this publication. It can be the one that actually like reading.
In getting this Midnight Movies (Da Capo Paperback), By J. Hoberman, Jonathan Rosenbaum, you could not always pass walking or using your electric motors to the book stores. Get the queuing, under the rainfall or hot light, as well as still look for the unidentified publication to be during that publication establishment. By visiting this page, you could only hunt for the Midnight Movies (Da Capo Paperback), By J. Hoberman, Jonathan Rosenbaum as well as you could locate it. So currently, this time is for you to choose the download link as well as acquisition Midnight Movies (Da Capo Paperback), By J. Hoberman, Jonathan Rosenbaum as your personal soft file book. You can read this book Midnight Movies (Da Capo Paperback), By J. Hoberman, Jonathan Rosenbaum in soft data just as well as wait as your own. So, you do not need to fast put the book Midnight Movies (Da Capo Paperback), By J. Hoberman, Jonathan Rosenbaum right into your bag almost everywhere.
These are a few of the over 100 films discussed in Midnight Movies, a comprehensive and in-depth look at the subculture movies of the past three decades. Here is the complete history of cult films, their makers, and their audience; an examination of how films become "midnight movies," and what keeps audiences coming back to see them over and over; an exploration of the connections between subversive film and the subcultures from which it emerges. Supplemented with a new afterward detailing the accommodation of midnight movies into the mainstream and speculating on the future of the genre, Midnight Movies is essential reading for anyone interested in the history and future of American cinema.
- Sales Rank: #386698 in Books
- Published on: 1991-03-22
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .83" w x 6.01" l, 1.20 pounds
- Binding: Paperback
- 360 pages
- ISBN13: 9780306804335
- Condition: New
- Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
About the Author
J. Hoberman is a film critic who writes for theVillage Voice and other publications. Jonathan Rosenbaum is the co-author of Midnight Movies, author of Moving Places, Placing Movies, and Movies as Politics; and film critic for the Chicago Reader.
Most helpful customer reviews
14 of 15 people found the following review helpful.
one of the definitive books on cult films.
By Cubist
This is one of the first serious film books I ever picked up. The picture of ol' Jack Nance from David Lynch's Eraserhead is what caught my eye. After reading the first paragraph of the first chapter, I was hooked.
Written by, arguably, the two best critics around -- J. Hoberman (who writes for the Village Voice) and Jonathan Rosenbaum (who writes for the Chicago Reader) -- this is an excellent look at a bygone era of movie-going. They document the midnight movie circuit that used to exist across the country for films too weird and strange for mainstream consumption. Sadly, most of these theatres are gone now -- swallowed up by the multiplex monster.
These guys clearly did their homework -- their chapters on the early careers of Lynch, Alejandro Jodorowsky, John Waters and George Romero are definitive. Best of all, their writing style is never dry or academic but very readable (it helps that these guys write for weeklies).
This book is a must-have for any fan of cult movies (and esp. the above mentioned directors). I have read it many, many times and it inspired me to be a writer myself. Great stuff.
4 of 4 people found the following review helpful.
A Great Book on Cult Films
By The Czar of Arkansas
Long, long ago, in the age before the videocassette and enormous theater chains, a strange cultural phenomenon once existed: the midnight movie. Movies that either couldn't get a regular run or had gotten one and bombed were often exhibited at midnight in independent theaters to audiences craving a different experience. Jonathan Rosenbaum and J. Hoberman explore this all-but-extinct cinematic experience in Midnight Movies.
Midnight Movies begins with an exploration of the beginning of the midnight phenomenon, harkening back to the 40's and 50's cult and exploitation films which gave rise to the art films of the 1960's. Films from Jack Smith, Luis Bunel, Hershell Gordon Lewis, and Andy Warhol are discussed. Many of these films, while unimportant on their own, pushed boundaries and proved that a small commercial market existed for off-beat cinema. Midnight Movies then moves on to explore the impact on film and audiences of four midnight offerings: Alexandro Jodorowsky's El Topo, George Romero's Night of the Living Dead, John Waters' Pink Flamingos, and David Lynch's Eraserhead.
Jodorowsky's El Topo was perhaps the first major midnight movie, playing for weeks at midnight in various New York venues. El Topo begins as a western, although the film gets more surreal and philosophical as each reel is spun. The film chronicles the story of a gunfighter who must kill four master sharpshooters to prove his love for a girl he snatches from one of his victims. As strange as it is oddly religious, El Topo was a sensation that attracted a superstar audience for this Mexican import.
Far from Mexico--in the exotic locales of western Pennsylvania--the next midnight sensation was under construction. George Romero, while working for an ad agency, began shooting Night of the Living Dead. The entire film cost $114,000, most of which was deferred until after distribution, and grossed millions, making Night of the Living Dead the most profitable film ever released until The Blair Witch Project. Romero was influenced by B-movies and sci-fi/horror comics of the 50's, but denies that Night of the Living Dead was ever made to make the many social points later attributed to it by critics. However, the film lives on as a landmark horror film.
If critics endlessly debated the social gravity of Night of the Living Dead, they didn't waste much breath on the work of John Waters. Dedicated to bad taste, Waters' Pink Flamingos comes in for the next examination. A film about two families competing for the title of "filthiest family in the world," Pink Flamingos has something to disgust or offend nearly everyone: crossdressing, kidnapping, adult babies, gratuitous violence, homosexuality, illicit baby farms, and porn, just to name a few. Waters' work, which has clearly evolved over the years, was loved by midnight audiences for its outrageousness and lack of pretension.
Whatever pretension Waters lacked was more than made up by the book's final director and film, David Lynch's Eraserhead. Eraserhead is the nonnarrative story of Henry, who wanders through a postmodern industrial wasteland. Henry is contacted by an old girlfriend, Mary, who claims to have given birth to Henry's child. The baby, if it can be scientifically called that, is a complete grotesquerie, which Mary abandons to Henry's care while Henry daydreams about a woman who lives in his apartment's radiator. Eraserhead really can't be adequately explained, it can only be experienced. Like the far more commercial Altered States, it is a nihilistic journey probably best taken with some chemical substance. Its billing as a "nightmare vision of the future" was right on target, at least for Lynch's future: Lynch continues to get paid by big studios in the bleak hope he'll make another Elephant Man, when he really just makes very slick versions of Eraserhead.
If you're a film junkie, this book is really a must-read. Hoberman and Rosenbaum do an excellent job of discussing the making of each film, the personalities involved, and the cultural climate into which each film was released. Although the opening sections concerning underground film in the 40's and 50's were a bit long, in my opinion, the reader gets a great story not merely of how these films were made and distributed, but how audiences and fans experienced these midnight movies.
2 of 2 people found the following review helpful.
A CULT CLASSIC IN ITSELF!
By DrSpecter
A lot of these directors have had entire books written about them since this book was published, but the authors manage to make this book so entertaining and fascinating that I've reread it twice-- I usually just read nonfiction once and then use it for reference. If they would put England's The Incredibly Strange Film Show (and the spin-offs Son Of... and For One Week Only)out on DVD, it would rival this book. Until then, this is the most vital source of information on cult movies.
Midnight Movies (Da Capo Paperback), by J. Hoberman, Jonathan Rosenbaum PDF
Midnight Movies (Da Capo Paperback), by J. Hoberman, Jonathan Rosenbaum EPub
Midnight Movies (Da Capo Paperback), by J. Hoberman, Jonathan Rosenbaum Doc
Midnight Movies (Da Capo Paperback), by J. Hoberman, Jonathan Rosenbaum iBooks
Midnight Movies (Da Capo Paperback), by J. Hoberman, Jonathan Rosenbaum rtf
Midnight Movies (Da Capo Paperback), by J. Hoberman, Jonathan Rosenbaum Mobipocket
Midnight Movies (Da Capo Paperback), by J. Hoberman, Jonathan Rosenbaum Kindle
Tidak ada komentar:
Posting Komentar