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Dzogchen Foremost Instructions, A Garland of Views, by Tony Duff
Ebook Dzogchen Foremost Instructions, A Garland of Views, by Tony Duff
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The text Foremost Instructions called "A Garland of Views" by Padmasambhava is regarded as one of the very important texts of the Nyingma tradition. It is an explanation of the thirteenth chapter of the root tantra of Mahayoga, the Guhyagarbha Tantra, the chapter on how the view of Dzogchen applies to the deity practices of Mahayoga. Padmasambhava's teaching is short, so further explanation is needed. For this we have provided a partial translation of the thirteenth chapter with explanations, Mipham's commentary which is the one most commonly used these days to explain Padmasambhava's teaching, and a translation of the relevant section of Longchen Rabjam's major commentary to the tantra Dispelling the Darkness of the Ten Directions. A very long introduction filled with explanations to make all of those items clearer has been provided. It is very important to understand that the teachings on Dzogchen in this book are not limited to instructions on the development stage of Mahayoga. They provide a complete explanation of what Dzogchen is at all levels and are regarded in the Nyingma tradition as required reading for all Dzogchen practitioners. Through this book you will gain an excellent grounding in what Dzogchen is and how it fits into the teachings of the nine vehicles. This book is truly an amazing collection of material that is regarded as crucial for Nyingma practitioners, but has not been available till now in English with all the commentaries needed to unravel the meaning of Padmasambhava's text. The Western Lama Richard Roth, who has been well-trained in the Dzogchen system, has said what an important and well-presented book this is.
- Sales Rank: #1683476 in Books
- Published on: 2015-07-16
- Original language: English
- Number of items: 1
- Dimensions: 9.02" h x .50" w x 5.98" l, .72 pounds
- Binding: Paperback
- 218 pages
Most helpful customer reviews
5 of 5 people found the following review helpful.
Another Stellar Work on Dzogchen Buddhism
By Book Drawn
Tony Duff has written, translated and commented upon numerous Tibetan texts chiefly dealing with dzogchen and mahamudra Buddhism. They are excellent and offer unique insights. Perhaps because the publisher isn’t main stream and the books are sometimes difficult to obtain, Tony Duff’s books haven’t always received the recognition they deserve. This latest book is among those readily available through Amazon and so hopefully it will receive the accolades it deserves.
There’s probably no more important Mahayana teacher then Padmasambhava, sometimes referred to as a second Buddha and here Tony Duff not only translates one of Padmasambhava’s principle teachings, Foremost Instructions “A Garland of Views” but includes commentaries on it by many of the great dzogchen masters.
Don’t skip the roman numerated 47 page introduction added to the fore of this short text. As in so many of his translations, here the author supplements the text with his wealth of knowledge about the dzogchen tradition. He notes his reasons for selecting particular commentaries to explain Padmasambhava’s teaching of the thirteenth chapter of the Gubyagarbha Tantra and sets the historical stage for what’s to come. You’ll be prepared for the text, but as the author himself states it won’t be an easy read.
If you follow the author’s recommendation, you will have read the first section following the forward, Longchenpa’s commentary on Chapter Thirteen of the Guhyagarbha Tantra, part way through the introduction, and thus after the forward will begin with the actual “Foremost Instruction,” which is less than 12 pages in length. It is followed by the more lengthy Mipham’s Annotational Commentary which is a must read, breaking down the text line by line for increased understanding.
Finally, don’t skip the glossary. It’s an excellent education in itself so take the time to go through it term by term. You need to know how to speak “dzogchen”. Yes, this is not for the beginner or the faint at heart, but will reward those who put in the effort to hear, reflect, and meditate on it. This book truly is a wonderful garland of views.
8 of 11 people found the following review helpful.
The translator himself seems to understand this but nevertheless can't resist the urge to insist that his own insight is superio
By Luc Jan
This is a product review -- not a review of the subject matter. The profundity of the subject matter is such that any review of its content would be inappropriate in a public forum such as this where the purpose of a review is clearly commercial. For a publication of a translation, some review could be offered concerning the translation itself. But the author/translator anticipated this and gives preemptive admonitions against such, telling us that he is an expert and that we should just abide him. Page xlv of Introduction: "We need you, the audience to have an open mind. If you are open, then we as translators can do the work of finding terminology that accurately translates Tibetan Buddhist terminology, then explain it to you, and you can help by having it accepted. That would be to everyone's benefit." That he refers to us as his "audience" indicates to me that the translator fancies himself a performer -- the book being his proscenium.
The book itself can be materially discussed in four categories: binding/printing, format/style, coherence and authenticity. The binding/printing is standard. The format/style is readable and utilizes the welcome practice of footnotes at the bottom of the page. However, there is excessive use of bold-text. When bold-text is used in a translation it should be made clear that the emphasis is the translator's. Personally, I think it should be avoided altogether unless it actually exists in the original, which it doesn't in this case. There are also numerous typos which, regrettably, have become common in this age of editorial incompetence. Additionally, the editors of Padma Karpo Translation Committee either do not adhere to the standard conventions of punctuation concerning commas or do not understand them. The coherence of the text is built-in due to the translator's thoughtful ordering of the original texts. The authenticity of the original texts is universally accepted by Buddhist scholars. The authenticity of the translation remains an open question. The translator himself seems to understand this but nevertheless can't resist the urge to insist that his own insight is superior to others'. This blowing of one's own horn -- in the introduction, in the footnotes, in the postscript -- is certainly very common but still extremely annoying. In the introduction, the "Authors", Padmasambhava, Mipham and Longchen Rabjam are merely named. In the postscript, the "Author", Lama Tony Duff, gives us an impressive, first-person praise of himself and his accomplishments. Even if such praise (although coming from himself) is completely deserved, it nevertheless sullies the overall fact of the book which is about recognizing and liberating oneself from the fiction of ego.
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