Rabu, 28 Desember 2011

[V570.Ebook] PDF Ebook Shenmue: Prima's Official Strategy Guide, by Debra McBride, David Cassady

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Shenmue: Prima's Official Strategy Guide, by Debra McBride, David Cassady

Shenmue: Prima's Official Strategy Guide, by Debra McBride, David Cassady



Shenmue: Prima's Official Strategy Guide, by Debra McBride, David Cassady

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Shenmue: Prima's Official Strategy Guide, by Debra McBride, David Cassady

Shenmue is the must-have stunning epic adventure from Sega's creative genius, Yu Suzuki! Shenmue promises to up the ante for all adventure games to come. Featuring gameplay elements that include RPG, adventure, and fighting, Shenmue breaks all the rules as you follow Ryo Hatzuki's investigation of his father's murder. Shenmue: Prima's Official Strategy Guide offers complete strategy, including:

A rundown of each character's story
Step-by-step instructions for each event
An inventory of all items, by type and location
Strategies for all mini-games
Fighting tips and techniques
3D maps with all areas and items mapped out
A sealed secrets section which includes the game's dramatic ending

  • Sales Rank: #1534660 in Books
  • Brand: Brand: Prima Games
  • Published on: 2000-11-06
  • Released on: 2000-11-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.75" h x 8.50" w x .50" l,
  • Binding: Paperback
  • 144 pages
Features
  • Used Book in Good Condition

Review
A masterpiece of mystery, adventure, & family honor.

From the Back Cover
A masterpiece of mystery, adventure, & family honor.

Most helpful customer reviews

4 of 4 people found the following review helpful.
A class-act guide by Prima
By Maverick41
I've had a lot of issues with Prima not delivering a guide with all the info that it could of had. Prima's guides frequently do not deliver all but the bare essentials and can be poorly put together, but the Shenmue Official Strategy Guide does not follow tradition. From start to finish, the guide is absolutely packed full of information regarding the game and solutions to the many puzzles within it. Full, complete, well designed color pages document each event as it should happen with exact date, time and location, along with full color screen shots. It also includes complete index's of all the bonus items you can collect throughout the game and where to obtain them, as well as a full index of all note-entrys that can be imputted into Ryo's journal. As well, it features complete biographys taken from Shenmue Online, that include virtually every single individual you see in the game, regardless of weither you're ever able to interact with them or not. This is not a guide to pass up, and even if you're not one for cheating, it's virtually impossible to see all there is to see in Shenmue without this kind of a guide. A must have.

3 of 3 people found the following review helpful.
Very good overall, but...
By O.G. (Original Gamer)
As per usual, this Prima strategy is great overall, but there's one big problem: the walkthrough and the maps are in two totally different sections. This may not seem like a problem at first, but for those of us that don't have photographic memories, constantly flipping from the front of the book to the back of the book is a real pain. It really becomes a problem in some of the more hectic situations in the game. Other than the map/walkthrough thing, this is a really well-done guide. If you can get past it's one flaw, then I definitely suggest you go and get this guide.

2 of 2 people found the following review helpful.
Must have for SHENMUE fans
By Bradley J. Erbe
This is a great strategy guidebook for SHENMUE. It really covers a lot of information in the game. I've already played SHENMUE all the way through and I thought i had covered everything in the game. Wrong! There is a lot that I misssed! There were things in the game that you could get that I just didn't know about. For instance you can win a couple of Sega Saturn games as prizes for Ryo's Saturn at his house!
I recommend you to read this book after you've already gone through SHENMUE at least once. You'll be suprised at how much you may have missed. It may even make SHENMUE even more rewarding the second time around.
If you loved SHENMUE as much as I did, then this book is a must have!

See all 13 customer reviews...

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Sabtu, 24 Desember 2011

[M374.Ebook] Free PDF The Misadventures of Awkward Black Girl, by Issa Rae

Free PDF The Misadventures of Awkward Black Girl, by Issa Rae

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The Misadventures of Awkward Black Girl, by Issa Rae

The “brilliantly wry” (Lena Dunham) and “lovably awkward” (Mindy Kaling) New York Times bestseller from the creator of HBO’s Insecure.

In this universally accessible New York Times bestseller named for her wildly popular web series, Issa Rae—“a singular voice with the verve and vivacity of uncorked champagne” (Kirkus Reviews)—waxes humorously on what it’s like to be unabashedly awkward in a world that regards introverts as hapless misfits and black as cool.

I’m awkward—and black. Someone once told me those were the two worst things anyone could be. That someone was right. Where do I start?

Being an introvert (as well as “funny,” according to the Los Angeles Times) in a world that glorifies cool isn’t easy. But when Issa Rae, the creator of the Shorty Award-winning hit series The Misadventures of Awkward Black Girl, is that introvert—whether she’s navigating love, the workplace, friendships, or “rapping”—it sure is entertaining. Now, in this New York Times bestselling debut collection written in her witty and self-deprecating voice, Rae covers everything from cybersexing in the early days of the Internet to deflecting unsolicited comments on weight gain, from navigating the perils of eating out alone and public displays of affection to learning to accept yourself—natural hair and all.

The Misadventures of Awkward Black Girl is a book no one—awkward or cool, black, white, or other—will want to miss.

  • Sales Rank: #3675 in Books
  • Published on: 2016-07-12
  • Released on: 2016-07-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.37" h x .60" w x 5.50" l, .0 pounds
  • Binding: Paperback
  • 224 pages

Review
"With MISADVENTURES OF AWKWARD BLACK GIRL, Issa shows us why she is the queen of media and why we need a multiplicity of voices in the media." (Los Angeles Times)

"Issa Rae nailed it: Her book TheMisadventures of Awkward Black Girl is why the term must-read exists." (Marie Claire)

"A book ripe with insights for the awkwardamong us." (Cosmo)

“For fans of Mindy Kaling’s Is EveryoneHanging Out without Me?. . . ). Already a strong voice for diversity in the media, Rae issomeone readers of all stripes will love getting to know, however awkwardly.” (Booklist)

“In Rae, her audience has landed on a singular voicewith the verve and veracity of uncorked champagne. An authentic and freshextension of the author's successful Web series.” (Kirkus Reviews)

“You'll laugh freakishly hard over the geniusYouTube star's book about everything from PDA to coworkers who always suck up” (Glamour)

“Delightfully deadpan…the real discovery here is that Rae has a natural flair for narrative,showing promise as an essayist with her unique perspective…a writer to watch.” (Essence)

“Cutting, laugh out loud observations.” (Uptown Magazine)

“I loved this book. Issa Rae is brilliant, funny andloveably awkward.” (Mindy Kaling)

"Ifyou like Awkward and love Black. Or love Awkward and like Black. Or if you'relike me and just can't get enough of Awkward and Black in equal doses, then youwill love love love Issa Rae and her Awkward Black Girl tales of Awkward BlackGirlishness. That wasn't too awkward was it?" (Larry Wilmore)

“In her hilarious debut book, Issa Rae uses the brilliantly wry voice she's honed in her searing and necessary webseries to tell a story that is so personal yet so universal: awkward girl becomes awkward woman, and in doing so realizes that awkward is the best way to be.” (Lena Dunham)

"Farfrom awkward, Issa Rae wittily shows us how to navigate a society stillobsessed with stereotypes. Her essays are a rallying cry for all those daringto be unique, international, and fully human. A must read for thinking andfeeling people from 8 to 80." (Susan Fales-Hill)

About the Author
With her own unique flare and infectious sense of humor, Issa Rae’s content has garnered more than twenty-five million views and more than 200,000 subscribers on YouTube. In addition to making the Forbes “30 Under 30” list twice and winning the 2012 Shorty Award for Best Web Show for her hit series The Misadventures of Awkward Black Girl, Issa Rae has worked on web content for Pharrell Williams, Tracey Edmonds, and numerous others. She developed a TV series with Shonda Rhimes for ABC and is currently developing a half-hour comedy, Insecure, for HBO. Issa has received national attention with major media outlets including The New York Times, CNN, Elle, Seventeen, Rolling Stone, VIBE, Fast Company, MSNBC, Essence, and more.

Excerpt. © Reprinted by permission. All rights reserved.
The Misadventures of Awkward Black Girl
A/S/L

At only eleven years of age, I was a cyber ho. Looking back, I’m embarrassed. For me. For my parents. But oddly enough, my cyber social debauchery is indirectly correlated with my current status as a so-called internet pioneer. It all started when I began catfishing—creating characters and transmitting them over the internet—though back then people just called it “lying.” Had my father not signed my entire family up with America Online ­accounts for the computer in our modest Potomac, Maryland, home I don’t know that I’d have had the tools to exploit the early ages of the internet.

Two years earlier, my oldest brother, Amadou, had gone away to college at Morehouse, freeing up the coveted computer, which was housed in the basement, for my use. Before he decamped for college, I would spend hours at a time watching him type the commands into MS-DOS that would transport us to the magical kingdom of Sierra’s King’s Quest VI on our IBM. I never had a strong desire to play the game myself—I always assumed I wasn’t smart enough to play it on my own—until Amadou graduated from the house and I no longer had anyone to excitedly observe. I looked up to my oldest brother as the epitome of intelligence. He knew everything, though he was too humble to be ostentatious with his knowledge as I would have been had I been as smart. So I simply observed. At eighteen, he was an official adult, and he had a duty to selflessly spread his intelligence to the world, other people’s younger sisters included. His absence left a void in my heart and in the basement, particularly where the use of the computer was concerned.

I wasn’t next in line for the computer, but my second-oldest brother, Malick, was too preoccupied with football, girls, and high school to care. He’d occasionally make use of it for term papers and Tetris, but otherwise, it was mine for the taking. Using the computer wasn’t foreign to me, by any means. I had an old Apple computer in my very own room (a double source of jealousy for my younger brother), where I played Number Munchers and self-published my stories on perforated paper from an excruciatingly noisy printer.

“Jo-Issa, are you wasting paper again?!” my mother would yell from her makeshift home office, tipped off by the mechanical snitch. When alone, and mom-approved, I actually loved to hear the robotic crunching and whirring that the printer made while laying to ink my very own written words. But the computer in my room paled in comparison to the one downstairs, in the basement. For one thing, the large floppy disks—I think they were actually called hard disks, what the f%4# 90s?—were becoming extinct, and rightfully so, since the data on those things could be lost with the smudge of a finger. And since my computer took only the “hard” disks, my game choices were limited to nerdy learning games and text-based adventure games with no visuals. BLECH. BORING. BOO.

The other reason my computer wasn’t a huge triumph for my preteen self-discovery was because it lacked a modem, which meant no dial-up internet for me. But AOL changed my life. Specifically, it changed my social life. To be more precise: AOL gave me a social life. It ignited my social development and expanded my concept of sexuality. Because of AOL, I had imaginary friends that weren’t imaginary. I had elaborate conversations devoid of awkward silences. And, perhaps most valuable of all, I could actually talk to boys. At my command!

Before my parents caught wind of frightening news reports of child predators, I spent my days and after-school evenings in chat rooms, learning to speed read, talking to kids my age who were also ahead of the curve. Or pedophiles, who were remarkably creative and persistent in their forbidden pursuit. Pedos actually had it made in the mid-nineties, before the media exposed them. Talk about the glory days.

My friends at school, other fifth graders, didn’t seem to relate when I mentioned “chat rooms” and “profiles” or when I sang along to the dial-up internet song I made up in my head. It seemed that, for a brief moment, only I was privy to this alternate American universe that lived online.

By the time my family moved to Los Angeles to join my dad, a pediatrician, who had seized an opportunity to open his own family clinic there, my relationship with the computer had grown immensely, much to the dismay and irritation of my mother.

“You’re always on the computer! Go do your homework.”

“I already finished.”

“Well then, go outside and play!”

She just didn’t get it. Only recently, in my late twenties, did she come to realize that my excessive computer use is what led me to becoming the self-employed, almost-focused career woman I am today.

By the summer of 1996, more of my friends from Maryland had adopted AOL. It helped us bridge the three thousand miles between us. By then, I was already over the handwritten letters of yesteryear. That was a form of communication of the third world, reserved for pen pals from Ghana and Spain. Besides, the “You’ve Got Mail” greeting was way more exciting than the dead silence of receiving a letter. Exclaiming, “I’ve got mail!” in the foyer to yourself isn’t the same—trust me.

It was through electronic mail that I’d tell my friends back home about my Hollywood adventures. Never mind the fact that I lived in Windsor Hills, thirty minutes away from Hollywood, and that I was struggling to make friends. Or that my sense of style was horrendous, and my middle school had done away with lockers so the authorities could better monitor drug use. ALL I EVER WANTED WAS A LOCKER! I felt robbed of the middle school experience I saw on Boy Meets World and Doug, but my friends didn’t have to know that. I led them to believe I was on the brink of stardom, just by breathing in the recycled smog of other celebrities around me. Plus, I lived down the street from Ray Charles’s old house. I was famous by association.

Our move back to Los Angeles also fulfilled a dream I’d held on to for five whole years: we were finally reunited with my father. He’d visit us in Maryland once every two to three months for an extended period of time, but for the most part, I spent my elementary school years without him and, in his absence, had constructed a superheroic, Arnold Schwarzenegger-esque Father of the Year image of him in my mind. My dad was the man, and whenever I’d tell my teachers my father was a doctor who was too busy to come to Back to School night, their surprised and delighted “Oh!” always gave me a sense of pride. I didn’t speculate then that they were making an assumption about my family’s income and placing my blackness into a Huxtable category. To me, their reaction implied that a doctor was an important profession, which meant my dad was important. And I wanted to be just like my dad.

I so longed to live with him and see my family complete, I neglected to figure out that the reunion meant double supervision. The only computer in the house was in my dad’s home office, and now internet activity was being monitored without my knowing it. Going through puberty during the dawn of the internet could have left me unscathed if my dad weren’t so annoyingly tech savvy. If only he, a native African, were like the tribal stereotypes I read about in my middle school history books, I would have gotten away with so much more. Instead, I found myself sneaking to look up “sex” in the encyclopedia and then cross-referencing my findings with the Yahoo.com search results. Also, unbeknownst to me, my dad had added a kid-safe image blocker, so I was always limited to boring text-only definitions.

I was wrought with hormones and obsessed with finding a boyfriend. All I knew was that boys cared about sex and I didn’t know enough about it. I was too embarrassed to ask my peers. They were already über-judgmental about my naïveté to all things black after I accidentally exposed myself when Tupac died. “Two-pack died? What did he sing?”

Normally, I would have been spared from middle school humiliation by asking my two older brothers directly. They would have happily explained who Tupac was and I would have happily plagiarized their responses and relayed their feelings about him as my own. But my second-oldest brother had by then also graduated from the house to go to college and I was left as the oldest in the house. If I had trouble attracting the boys at my school before, my ignorance about Tupac destroyed any remote chance I might have had.

All I knew was that I had all these developing feelings for boys and that I wanted desperately for them to notice me. They did, but for reasons that didn’t help my quest: my nap-tural hair; my underdeveloped, seemingly concave breasts; my white-girl accent, and my tomboyish appearance. The prototype of lust for the boys my age was a light-skinned girl with long hair, and I just didn’t fit that profile. But I didn’t want to believe that. So I would imagine instead that I held the interest of all the boys and often convinced myself of that. All the while, I remained the continued object of disdain from my peers. I often found myself emboldened whenever a guy would show me any attention at all, i.e. “Ay, you did the homework? Let me copy,” or “You got ten cents for the vending machine?” I blame any misread social cues on Saved by the Bell. Zack and Kelly’s romance was something I wanted so badly to emulate.

My first-ever junior high school dance was approaching and, with the help of a Saturday morning marathon of Saved, I built up the courage that Monday morning to talk to Remington, an eighth-grade-looking sixth-grader who I’m pretty sure had been held back (though nobody talked about it). He had thick facial hair and muscular, athletic arms. He loved women, and frequently expressed his sexual desires in a way that hinted at experience. In my eyes, he was the answer. And I had so many questions. One of them, I worked up the courage to ask in front of his friends. I approached him right after our Environmental Studies class was dismissed, casually, waiting for him to pick up his only school supply, a single folder.

“Hey, Remington,” I started, shyly. “Are you going to the dance?”

He didn’t miss a beat: “Not with you!”

His friends didn’t even try to hide their laughter. Not a single one. I smiled and tried to play it off.

“Oh. No—I didn’t mean that. You thought I was asking for me?”

But it was too late; they had already pushed past to leave me in the classroom alone, my Environmental Studies teacher avoiding eye contact with me.

Ever optimistic, I went to the dance by myself, with the hope that maybe a boy there would ask me to dance. Maybe it would be Quentin, the skinny, half-albino/half-effeminate boy to whom I’d been sending “secret admirer” letters. It was the least he could do, after excitedly exposing to the class that I had been writing him love notes for weeks. Despite my humiliation, I couldn’t really blame him. It happened naturally enough. The homeroom teacher brought up “secret admirers” in her announcement about Valentine’s Day grams.

“Does anyone know what a ‘secret admirer’ is?” she asked.

“I do! I do, Ms. Nash!”

My heart plummeted to my stomach as I noticed him anxiously looking in my direction.

“What do you know about secret admirers, Quentin?” asked Ms. Nash.

“That girl right there was writing me ‘secret admirer’ notes.” He smiled at me, as if his public acknowledgment didn’t violate the very purpose of the “secret” in “secret admirer.”

Surely, he would save me from walking around the junior high dance all alone, in the jean jumper and white turtleneck I had packed in my backpack just for this after-school occasion. (I never wore dresses.) Somebody had to take notice and ask me to dance, based on that alone. Unfortunately, no one ever asked.

I was rapidly coming to the conclusion that boys didn’t find me attractive. That was heartbreaking. My self-esteem was in danger and had it not been for the saving grace of the Instant Message feature on AOL, I probably would have suffered death by trying too hard.

I don’t remember the first time I typed to a stranger. It wasn’t monumental for me. But it did speak to a desire to escape myself. For one thing, I could be anyone I wanted to be online. With each swift keystroke, a new, fearless identity emerged. I could be light-skinned with long hair, or blue-eyed with blond hair. Or experienced, witty, and seductive—things nobody saw me as in real life. I could be anyone’s type and was able to do so because during the early stages of AOL, pictures were pretty rare, though around the time that IMs came along, home scanners were growing more popular. Thankfully, however, pictures took forever to upload and weren’t in high demand, so people were content with self-descriptions. As people tended to be quite generous in their descriptions of themselves, I figured I could be, too. What did it matter?

“A/S/L,” the pop-up conversation would start.

Age/Sex/Location? (This blatant acronym had to have been tooled by pedophiles. The genius!) There was something flattering about being selected out of a pool of thirty to sixty people in a chat room for a private talk. I’d imagine it was like being chosen at a party to dance, though I wouldn’t know anything about that. But for my chameleon-esque purposes, responding to this conversation opener was the hardest part. I couldn’t become a type if I didn’t know what I was working with. If I were in the mood to talk to someone my age, I’d be honest.

“11/F/Cali, u?”

“13/f/az. hi.”

Trick, I don’t want no friends right now! On to the next. Sometimes I’d be the pursuer. I’d visit the R&B, Rap, or Games chat rooms and scout screen names that would give me hints at my preferred types: soccrplaya83, muscleman39, blkboy17. All I had were snippets of open chats to go by. What were they contributing to the larger public conversation? I couldn’t choose someone who was too active in the chat room; his chances of committing to a one-on-one were slim. Besides, someone who revels in being the center of attention is not my type. I don’t like to compete. Instead, I went for those who would contribute a few meaningful phrases here and there: “games are cool” or “yah i love r. kelly.” Subtle hints like those were enough to provoke me to reach out.

I’d begin:

SuGaLuv112: “hi. a/s/l?”

muscleman39: “18/m/de. u??”

SuGaLuv112: “17/f/cali.”

muscleman39: “cool, what’s up?”

SuGaLuv112: “nothin. chillin. bored.”

muscleman39: “are you horny?”

What? Like rhinos? My knowledge of internet slang was coming up empty. But I tried.

SuGaLuv112: “what do u you mean?”

Then came the door-slam sound effect from my computer speakers.

muscleman39 has signed off.

After a couple of weeks, and some more of these incidents, I decided to finally look up the definition of “horny.” What was being asked of me? My Encarta CD-ROM produced no answers, but Yahoo was full of them.

hor-ny (hôr ne): desiring of sexual activity.

Oh my freaking God. Of course. YES! That’s exactly what I was. The answer to what I was looking for in so many ways was being dangled before me, and all I had to do was respond with a simple “yes.” I couldn’t wait for the next opportunity to showcase my new personality trait. I sought it, thirstily. This time ready for the exchange and wealth of knowledge that would follow. I was so appropriately excited and ready.

My first online relationship started off innocently enough. Every day after school, around three thirty, I would log on. It was the perfect time. My mom, who was too tired to worry about her remaining three kids, after dealing with one hundred plus of her French students, would go take a nap. During that time, nobody could go in and disturb her. Unless there was a fire, or an intruder—Jehovah’s Witnesses didn’t count—we had all learned by swift-slap punishment that we were to respect her nap time. It was the one time slot of the day—thirty minutes or sometimes a whole hour—that our adult supervision was lenient. Occasionally, I would play bossy and order my siblings around on behalf of my mother, but for the most part, I left them alone to focus on my own debauchery and thus began my first real online relationship.

He was nineteen; I had turned twelve. My parents were seven years apart, so . . . I guess it was cool? He described himself as white, athletically built, bald, with a red beard. When I first saw American History X years later, in high school, I had a flash memory of him, as if I’d met him in a previous life. He was “pretty average looking” by his description, but by my imagination, he was beautiful. He was sensitive. He asked me—Jennifer was my white-girl name (same number of syllables as Jo-Issa)—about my day, about how I was doing. He expressed his feelings for me. Told me he felt stupid for thinking about me all the time when we’d never met. To him, I was blond-haired, blue-eyed, and petite. Technically, I was petite for an adult person, but definitely oversized for a sixth-grader.

Our conversations started out pretty casually at first, but they escalated quickly. And then he made the first move.

redbeard19: what are you wearing?

SuGaLuv112: a tank top and shorts

By then, I knew how to play the game. I had been asked the question via IM multiple times enough to know that a T-shirt, baggy jeans, and sneakers wasn’t sexy enough. With redbeard19, I was slightly seasoned, and he only helped me to get better. He taught me so much about what ideal sex was supposed to be, what I could expect from future relationships. This was the prelude to sexting. The crazy part is, nothing about this turned me on. It was a learning experience for me. I would type what guys wanted to hear, while reading Spider-Man comic books or as Tiny Toon Adventures played in the background, satisfied that, while most of my peers were still virgins, at age twelve, I was mastering the art of cybersex.

After that first time, I started to feel a sense of guilt. In the classroom, I was anxious, worried that eyes were on me. I started to wonder if what I did was wrong. What would my teachers think if they knew? My parents? Could people tell? Did I look different?

One day in the spring, I sat in Ms. Frank’s English class, unusually quiet. The teacher’s pet, I owned this class. She reminded the class of that often, which only escalated their hatred of me. But that day, sick and in pain, I just didn’t feel well. It was as if the butterflies inside my stomach had turned into dark moths, with razor-sharp antennas that were poking my sides and my midsection. I felt nauseous and dizzy. What was happening to me? I hadn’t even had real sex!

Ms. Frank excused me to the nurse’s office and I clutched my stomach and my throbbing head, worried about my pending diagnosis. I stopped at the restroom first to see if maybe I was experiencing a case of lunch food poisoning. And in that bathroom stall I discovered that, just like “Sally” in the Sex-Ed section of the Health textbook we had studied that winter, my body had begun to succumb to its transition to womanhood. Or as I thought at the time, Ew gross, my vag is bleeding.

I told the nurse I’d just gotten my period and she was super sympathetic, asking me if I wanted to go home. I did. I called my mother, who was transitioning into her new role as a stay-at-home mom and whispered my news into the phone.

“Mom, I got my pe . . .”

“What? Are you at school?”

“I don’t feel good.”

“What’s wrong with you?”

“I got my period.”

“Aww. My schubalubbalubba. I’m coming.”

During the car ride home, as my mom snuck peeks at me and patted my leg for comfort, I wondered if I were being punished for my “fast” behavior. In Health class, we learned that a girl’s period typically came around the time she was a teenager. I had just turned twelve. I was in a rush to grow up, but I didn’t know if I wanted to be “grown” yet. I didn’t want to be a woman, because that meant more responsibilities and expectations, and I was way too lazy for responsibilities and expectations. But then, my mom assuaged my worries with a simple declaration that changed everything for me.

“Guess you’re a teenager now.”

To hell with being a woman, I was a teenager. Teenagers like the kids on 90210 and Saved by the Bell. Finally! That was the missing link of my identity, and this bloody punctuation served as a head start to my new identity. I was a horny teenager.

My relationship with redbeard19 progressed as scanners became more readily available and he sent me a picture. He was nervous to do so, but he felt like I should see him. I was so excited. But also nervous. By then, I’d had several online flings here and there, but he was the only one with whom I had something “real.” Also up until then, his face was an open canvas. It could change depending on what he said, or my mood. He wasn’t a fully real person to me, with real feelings and real desires. He could have been lying to me in the same way that I was lying to him. We both could have had Tiny Toons on our television screens, scrambling to come up with novel sex words to stimulate each other. But the picture he sent demonstrated to me two things: 1) he was pretty damn ­honest—he appeared just as he said he would, and 2) he was actually kind of cute.

Something about our relationship wasn’t the same after that. I felt like a fraud, and I was kind of turned off by how vulnerable he’d made himself. I stopped becoming available to him at the same time every day. I’d block him whenever I felt like prowling for new people to talk to, then unblock him when I was bored. He grew hurt and needy, and I grew disgusted and cold.

redbeard19: what are you wearing today, baby?

SuGaLuv112: clothes.

redbeard19: take them off.

[5 minutes later]

redbeard19: u still there?

SuGaLuv112: sorry, was on the phone.

redbeard19: you don’t have time for me anymore

SuGaLuv112 has signed off.

After that, I kept him blocked. By now, I was becoming a pro. Some kids had after-school sports, some had piano lessons, but “cybering” was now my after-school activity of choice. And for the most part, it felt safe. I wasn’t “doing it” for real, so I was still pure. My actions were justified because I could still wear white for my future wedding (which, as with Zack and Kelly, would probably happen in college).

Now, pictures became a priority for me. If you didn’t have a picture, I wasn’t interested. As the most beautiful and sexy girl on the internet, I had a right to be picky. Not too much later, I met the guy of my dreams online. He sent me his picture after we got into a casual conversation about music. He was twenty-two, Italian, and black. He was one of the finest guys I had ever seen in my life, much less online. And he had multiple pictures of himself, so I knew it was real. Or was it? Thinking back, he sent me some very polished ­pictures—very modelesque. But whatever—he was real to me. I know he was real because he said he was Italian and black. And when we spoke on the phone, for the first time, he sounded like he was Italian and black; a Luigi-and-Tyrone hybrid, if you will.

His voice was so freaking sexy, though. I can’t recall what we would have talked about, what kind of engaging conversation ­starters came out of my twelve-year-old mouth. I just remember wondering why such a hottie like him was looking for people to talk to online. He seemed like the kind of guy who people would go out of their way to talk to. Just when I began to convince myself that this hot guy was courting me for me, he started pressing me for a picture. Shit. I had insisted that I didn’t have a scanner in the past, but in an effort to keep him around, so he wouldn’t get bored with me, I told him I planned to get one, just for him. So began the search. I’d have to do my best to find a picture that matched the description I gave him. He already thought I was eighteen. He thought I was African-American and light-skinned with long hair. So, thankfully, those nonspecifics gave me lots of options.

I don’t remember where or how I found the picture—but she was gorgeous. She was who I wished I looked like. She looked like she could have been mixed race. My middle school peers would be all over her. In fact, I’m pretty sure I printed her picture out and told all the guys she was my cousin. “That’s your cousin?! What side of the family? Where does she live?”

I sent him the picture, holding my breath. Would he believe me? Boy, did he! He was awestruck and excited, as if he’d hit the online jackpot. His interest in me grew: What did I do? Did I model? Was I dating? It felt amazing to be so beautiful. I envied the life of the real girl whose picture I stole. Did she know how lucky she had it? How easy her life was because she was so beautiful? And then the Blatalian wanted more. Maybe he was suspicious. Maybe he, too, felt like it was too good to be true. “Send me another picture,” he demanded one day.

My heart started racing. How was I going to find another picture to send him? Since I was now supposedly the proud owner of a scanner, I had no excuse. So I went on another online scavenger hunt, this time to try to find a girl who resembled the fake me. I found one; she was light-skinned with curly hair and posed in the shower, half-naked. She looked like she could have been partially Asian. But the initial picture I sent him was black-and-white and the new picture of the girl in the shower was in black-and-white, so I figured that he wouldn’t know the difference.

I was wrong. He confronted me on the phone. Partly amused, partly miffed.

“That’s not your real picture, is it.”

“Yes, it is.”

“You look like two completely different people.”

“People always tell me that when I curl my hair.”

“I don’t think either of these pictures are you.”

“Yes, they are.”

Not willing to argue with me about my fake identity, he pleasantly let me go. Ultimately, he stopped talking to me altogether. Lesson learned.

Eventually, the online conversations and fake adult sex no longer filled the void that my socially inactive middle school life had left wide open. My friends were being asked out. People were coupling up, and I was left with my lies and my fake personas. I needed someone to like me for me. Or at least who I pretended to be in person.

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2 of 2 people found the following review helpful.
If that's okay with you then this is a fine book, funny
By Movie Mother
The problem with memoir deals given to celebrities is that in many cases they don't have a overarching narrative in mind so what you end with is a collection of rather unconnected essays. If that's okay with you then this is a fine book, funny, witty and insightful. If you prefer a longer narrative maybe not. I like Rae's show a lot and her essays are definitely funny, but I'd love to see something a bit meatier from her.

0 of 0 people found the following review helpful.
Funny and insightful : An Oden to those who live outside the margins
By Tunisia
If you ever watched Issa Rae's Web series by the same as this book then you will enjoy this book. It also gives context as to what inspired her to create a path for awkward black girls and anyone who has ever felt out of place. The collection of stories here about her family, her challenges and her awkwardness are both funny and insightful. Even if you never watched the Web series, "The Misadventures of Awkward Black Girl" you can enjoy this book. It's an inspiration to those who live outside the margins of cultural stereotypes and exist in that gray area of uniqueness and self-awareness. Kudos to Issa Rae on this first book! I loved it!

2 of 2 people found the following review helpful.
It was everything I needed!
By Evon Williams
i remember when I started watching Issa Rae's videos in college. I fell in love so fast! Now to see how far she's grown as a creator and getting to know her better as a woman is inspiring. Definitely deserves 5 stars.

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Kamis, 22 Desember 2011

[F650.Ebook] Download Ebook What Is Art?: Conversations with Joseph Beuys, by Joseph Beuys, Volker Harlan

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What Is Art?: Conversations with Joseph Beuys, by Joseph Beuys, Volker Harlan

“An intimate dialogue with Joseph Beuys ... takes us into the deeper motivations and understandings underlying ‘social sculpture’ and his expanded conception of art.” ―Shelley Sacks, artist and director of the Social Sculpture Research Unit, Oxford Brookes University

“It is arguable that Beuys was the first artist of the twenty-first century. Like Rudolf Steiner, he was passionately concerned with the history of ideas and the points of interface between manifestations of the arts and sciences as well as philosophy, religion, economics, and politics.” ―Richard Demarco, OBE, professor emeritus, European Cultural Studies, Kingston University, Surrey

“Joseph Beuys was one of the most important artists of the twentieth century. He was one of the first German artists to engage with his country's turbulent and destructive recent history. His art embraced processes of political renewal within society, the search for an appropriate spiritual approach in our times, and a belief in the creative potential in each individual.” ―Sean Rainbird, senior curator, Tate Collection

"The revolutionary artistic ideas and artwork of Joseph Beuys are still, decades later, one of the strongest influences on contemporary artists. His work bursts open the enclosed world of visual art to encompass political and social reform, environmentalism, education, economics, spiritual science, and the proposal that art is not properly an activity for ‘experts’ but for everyone.” ―David Adams, Ph.D., art history faculty, Sierra College, California.


“I know that from him [Rudolf Steiner] a mission was given to me to gradually remove people’s alienation and mistrust toward the supersensible through my means. In political thinking―the field I have to be working on daily―it is a matter of realizing the Threefold Social Order as quickly as possible.” ―Joseph Beuys (letter to Manfred Schradi, October 21, 1971)

Joseph Beuys’s work continues to influence and inspire artists and thinkers around the world―in areas from organizational learning, direct democracy, and new forms of money, to new methods of art education and the practice of “ecological art.”

Volker Harlan―a close colleague of Beuys―whose own work also explores substance and sacrament―talked with Beuys about the deeper motivations and insights behind “social sculpture” and his expanded view of art. These profound reflections, complemented by Harlan’s thoughtful essays, give a sense of the interconnected nature of all life forms and provide the basis for a path toward a future that is ecologically sustainable.

Features more than forty illustrations.

  • Sales Rank: #1163855 in Books
  • Published on: 2004-11-01
  • Original language: German
  • Number of items: 1
  • Dimensions: 9.68" h x .39" w x 7.52" l, .82 pounds
  • Binding: Paperback
  • 128 pages

Review
'An intimate dialogue with Joseph Beuys, arguably the most important and radical artist of the late twentieth century, which takes us into the deeper motivations and understandings underlying 'social sculpture' and his expanded conception of art.' - Shelley Sacks, Artist and Director of the Social Sculpture Research Unit, Oxford Brookes University 'It is arguable that Beuys was the first artist of the twenty-first century. Like Rudolf Steiner, he was passionately concerned with the history of ideas and the points of interface between manifestations of the arts and sciences as well as philosophy, religion, economics and politics.' - Richard Demarco, OBE, Professor Emeritus, European Cultural Studies, Kingston University, Surrey 'Joseph Beuys was one of the most important artists of the twentieth century. He was one of the first German artists to engage with his country's turbulent and destructive recent history. His art embraced processes of political renewal within society, the search for an appropriate spiritual approach in our times, and a belief in the creative potential in each individual.' - Sean Rainbird, Senior Curator, Tate Collection 'Twenty years after his death, Beuys is still the most inspirational artist of modern times. No other figure has so moved people to find their own creativity and to innovative solutions to the biggest environmental threats facing our planet.' - Professor Caroline Tisdall, Oxford Brookes University 'The revolutionary artistic ideas and artwork of Joseph Beuys are still, decades later, one of the strongest influences on contemporary artists. His work bursts open the enclosed world of visual art to encompass political and social reform, environmentalism, education, economics, spiritual science, and the proposal that art is not properly an activity for "experts" but for everyone.' - David Adams, Ph.D., Art History faculty, Sierra College, California 'Joseph Beuys was the most significant artistic innovator of the twentieth century. His extended concept of art and his Social Sculpture Theory contain the seeds needed for addressing the root problems of our global society today. Harlan's book is a seminal contribution to the understanding of Beuys' work.' - Otto Scharmer, co-author, Presence: Human Purpose and the Field of the Future, Lecturer, MIT Sloan School of Management

About the Author
Joseph Beuys (1921–1986), alchemist, social visionary and artist, was born in Germany. In 1961, he became Professor of Monumental Sculpture at the Düsseldorf Academy, but was expelled in 1972. With his first gallery “action” in 1965, Teaching Paintings to a Dead Hare, his international reputation began to grow. In 1979, he was honored with a major retrospective at the Guggenheim Museum, New York City. He died just after receiving the prestigious Lehmbruck Prize and left behind numerous large-scale installations and site works, hundreds of provocative multiples and small objects, thousands of drawings, documented social sculpture forums about energy, new money forms and direct democracy, and above all, a methodology and ideas such as “parallel process” and “social sculpture.”

Volker Harlan was born in 1938 in Dresden, Germany. He studied arts, biology, and theology, and was a priest of the Christian Community until 2001. He is a cofounder of the private University of Witten-Herdecke and a lecturer on the philosophy of nature and aesthetics. His doctorate was published as Das Bild der Pflanze in Wissenschaft und Kunst. He was a friend of Joseph Beuys from 1972 until Beuys’s death in 1986.

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4 of 5 people found the following review helpful.
Beuys explains his expanded 'definition' of art and materials
By jonil
Beuys clarifies what he means when he says that everyone is an artist. Fascinating to hear about the meaning behind his use of such substances as honey, copper and felt to name a few, through the conversation unfolding. Materials also mean will, speech and thought. Art means shaping the society in which we live. We also get an impression of his sense of humour.

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Rabu, 21 Desember 2011

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Approaching the Hunger Games Trilogy: A Literary and Cultural Analysis

  • Published on: 1705
  • Binding: Paperback

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Jumat, 16 Desember 2011

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The Cold War: The United States and the Soviet Union, 1917-1991, by Ronald E. Powaski

For half of the twentieth century, the Cold War gripped the world. International relations everywhere--and domestic policy in scores of nations--pivoted around this central point, the American-Soviet rivalry. Even today, much of the world's diplomacy grapples with chaos created by the Cold War's sudden disappearance. Here indeed is a subject that defies easy understanding. Now comes a definitive account, a startlingly fresh, clear eyed, comprehensive history of our century's longest struggle.
In The Cold War, Ronald E. Powaski offers a new perspective on the great rivalry, even as he provides a coherent, concise narrative. He wastes no time in challenging the reader to think of the Cold War in new ways, arguing that the roots of the conflict are centuries old, going back to Czarist Russia and to the very infancy of the American nation. He shows that both Russia and America were expansionist nations with messianic complexes, and the people of both nations believed they possessed a unique mission in history. Except for a brief interval in 1917, Americans perceived the Russian government (whether Czarist or Bolshevik) as despotic; Russians saw the United States as conspiring to prevent it from reaching its place in the sun. U.S. military intervention in Russia's civil war, with the aim of overthrowing Lenin's upstart regime, entrenched Moscow's fears. Soviet American relations, difficult before World War II--when both nations were relatively weak militarily and isolated from world affairs--escalated dramatically after both nations emerged as the world's major military powers. Powaski paints a portrait of the spiraling tensions with stark clarity, as each new development added to the rivalry: the Marshall Plan, the communist coup in Czechoslovakia, the Berlin blockade, the formation of NATO, the first Soviet nuclear test. In this atmosphere, Truman found it easy to believe that the Communist victory in China and the Korean War were products of Soviet expansionism. He and his successors extended their own web of mutual defense treaties, covert actions, and military interventions across the globe--from the Caribbean to the Middle East and, finally to Southeast Asia, where containment famously foundered in the bog of Vietnam.
Powaski skillfully highlights the domestic politics, diplomatic maneuvers, and even psychological factors as he untangles the knot that bound the two superpowers together in conflict. From the nuclear arms race, to the impact of U.S. recognition of China on detente, to Brezhnev's inflexible persistence in competing with America everywhere, he casts new light on familiar topics. Always judicious in his assessments, Powaski gives due credit to Reagan and especially Bush in facilitating the Soviet collapse, but also notes that internal economic failure, not outside pressure, proved decisive in the Communist failure. Perhaps most important, he offers a clear eyed assessment of the lasting distortions the struggle wrought upon American institutions, raising questions about whether anyone really won the Cold War. With clarity, fairness, and insight, he offers the definitive account of our century's longest international rivalry.

  • Sales Rank: #934507 in Books
  • Published on: 1997-09-25
  • Released on: 1997-09-25
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.10" h x 1.10" w x 9.00" l, 1.15 pounds
  • Binding: Paperback
  • 368 pages

From Library Journal
Do we need another book on the Cold War? It depends on who you are: If you have been following the voluminous literature over the past couple of decades, then Powaski's book has little new to offer. If, on the other hand, you know next to nothing about the topic and would like a concise summary, then you are in luck, because Powaski (The Entangling Alliance: The United States and European Security, 1950-1993, Greenwood, 1994) has ably gathered the general historiographical issues of this long-drawn-out struggle and packaged them in an easily digestible format. In the enormous library of writings on this subject, Powaski's book is best for slender collections; large libraries already have enough surveys.?Edward Goedeken, Iowa State Univ. Lib., Ames
Copyright 1997 Reed Business Information, Inc.

Review
"An excellent basic survey of the Cold EWar era around which additional readings can be arranged to suit any teacher's preferences."--H. Peter Krosby, State University of New York at Albany

"The organization by American presidential administrations creates a very clear and readable account of Soviet-American relations over the entire thirty-year history of the USSR."--James A. Brown, Tougaloo College

"A well balanced study. May be used for required or supplemental reading."--Emmett A. Shea, Westchester State College

About the Author
About the Author: Ronald E. Powaski is the author of March to Armegeddon: The United States and the Nuclear Arms Race, 1939 to the Present. He is Adjunct Professor of Special Studies at Notre Dame College of Ohio.

Most helpful customer reviews

8 of 8 people found the following review helpful.
WOW Very well written, Wasn't one sided
By A Customer
This book went all the way back to pre-revolutionary times and started from there. Very very detailed view of what REALLY happened. Why, Who, and Other critical points of the relations between the Soviet Union and the U.S. in the Global Arena.

7 of 7 people found the following review helpful.
it's hard to cover eighty years in 300 pages
By A Customer
I had to read this book as part of my history graduate studies. While Powaski has a notable orthodox lean to the Cold War spin, towards the end, he notes "post-revisionistly" that both Russia and U.S. have to take blame. Not an easy read and with little if any original research (no Russian primary sources), but quite informative as a narrative of Cold War history...would have liked more information on the Russo-Japanese war of 1904-5, which sort of started all the ill feelings in the first place.

6 of 8 people found the following review helpful.
A Majory Disappointment
By John Desmond
On a positive note, Powaski correctly (I think) dates the start of the Cold War from the Russian Revolution, not 1945, and implies that the US/USSR clash was inevitable from a geopolitical standpoint. However, considering that the book was published in 1999, four years after the Venona trasncripts were declassified, the author lamely succumbs to the politically correct view that the "Red Scare" in the US of the 1950s clouded American decision-making. We now know that McCarthy, for all his bluntness, erred on the low side in talking about Soviet/communist penetration of the Roosevelt/Truman administrations. For example, he cites the removal of two State Department officers for daring to question American support for Chiang Kai Shek and suggesting a more "realistic" China policy. He fails to mention that US China policy was directed during the 1940s by a cabal of (now) proven KGB agents, at least one of whom later defected to Communist China, and that the Truman administration, to protect itself politically, sheltered them and then conducted the only witch-hunt of the 1950s, that directed against McCarthy and anyone who provided him with information. It's past time that historians stopped concealing evidence.

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Sabtu, 10 Desember 2011

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  • Sales Rank: #48413 in Books
  • Published on: 2015-04-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .18" w x 6.00" l, .26 pounds
  • Binding: Paperback
  • 76 pages

Most helpful customer reviews

27 of 28 people found the following review helpful.
Awesomeness Incarnate
By jkeaves
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8 of 9 people found the following review helpful.
Another helpful book by Erich Andreas
By Amazon Customer
This is the second book I have read and reread by this author and I gotta say, this one is every bit as helpful as his "Guitar Ninja" book is. I learned to read music in junior high but, like all skills, "if you don't use them, you lose them"...and I didn't and did. I have been teaching myself how to REALLY play the guitar; and to do that properly, I feel it is in my best interest to re-acquaint myself with reading music. Along comes this book on the top 100 free list, and the rest is history.

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6 of 6 people found the following review helpful.
Helping me with my dream.
By Dadof2gr8boys
I have always dreamed of playing guitar. Erich has helped me along this path with his books. This one is no different. Learning to read music and understand the music structure will help legitimize my guitar dream.
Thanks Erich!

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Selasa, 06 Desember 2011

[M460.Ebook] Free Ebook La Hija del Momificador: Una Novela Ambientada En el Antiguo Egipto, by Nathaniel Burns

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Egipto, 1233 a.C.

El sueño de la joven Neti-Kert es seguir los pasos de su padre y convertirse en la primera mujer momificadora de Tebas. El reservado prefecto Shabaka, enviado especial del faraón cuya misión es combatir el crimen de la capital del imperio faraónico, también hace uso de las habilidades especiales de Neti-Kerty. Con sus poderes de deducción y su conocimiento de los muertos, Neti-Kerty ya ha ayudado a resolver muchos crímenes.

Pero entonces ocurre algo inesperado: sus padres son cruelmente asesinados y el pequeño e idílico mundo de Neti se derrumba. Junto al prefecto Shabaka, se embarca en la búsqueda del asesino de sus padres. Tras sobrevivir a numerosas aventuras, se encuentran con una monstruosa conspiración...

"La hija del momificador" nos traslada hasta una tierra llena de dioses, reyes, rituales y magia. El lector podrá contemplar un detallado retrato del Egipto faraónico con todas sus luces y sombras. El conocido autor Nathaniel Burns recrea fielmente una de las épocas más destacadas de la historia de Egipto y teje una estremecedora y ominosa trama de misterios en el Antiguo Egipto con una serie de personajes que el lector actual podrá reconocer a pesar del tiempo.

Encienda un poco de incienso, siéntese junto a la luz y descorra las cortinas del pasado oscuro con esta apasionada historia de amor e intriga entre los vivos y los muertos en una de civilizaciones más fascinantes de la historia.

Please note: This audiobook is in Spanish

  • Sales Rank: #198918 in Audible
  • Published on: 2015-09-25
  • Format: Unabridged
  • Original language: Spanish
  • Running time: 415 minutes

Most helpful customer reviews

1 of 1 people found the following review helpful.
En honor a la verdad debo decir primero que he ...
By AJ
En honor a la verdad debo decir primero que he tenido el honor de narrar este libro y convertirlo en Audio para la venta en Audible, Amazon y iTunes.

La historia me pareció muy interesante desde el principio, un fuerte e inteligente personaje femenino. Siendo discriminada por su sexo y amor al conocimiento.

Neti se ha convertido para mi en una amiga y espero leer pronto otra de sus aventuras de investigación forense. Ella deberá seguir luchando con la percepción del pueblo inculto. El estigma de ser "La Bruja de los Muertos"

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